Edouard Vuillard
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Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Pietro, Nicolo di
Scenes from the Legend of Saint Augustine: 00

ID: 19884

Pietro, Nicolo di Scenes from the Legend of Saint Augustine:  00
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Pietro, Nicolo di Scenes from the Legend of Saint Augustine:  00


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Pietro, Nicolo di

Italian, active 1394-1427  Related Paintings of Pietro, Nicolo di :. | Scenes from the Legend of Saint Augustine: | The Continence of Scipio | Bildnis einer Dame | Scenes from the Legend of Saint Augustine: | Scenes from the Legend of Saint Augustine: 00 |
Related Artists:
Girolamo Macchietti
Italian Painter , Firenze1535-1592 was an Italian painter active in Florence, working in a Mannerist style. He was a pupil of Michele di Ridolfi. During 1556-62, worked as an assistant to Giorgio Vasari in the decoration of the Palazzo Vecchio, where he worked with Mirabello Cavalori. He participated in the Vasari-directed decoration of the Studiolo of Francesco I with two canvases, one relating a Jason and Medea (1570) and the other a Baths of Pozzuoli (1572). He also painted an altarpiece on the Martyrdom of Saint Lawrence for Santa Maria Novella. In 1577, he completed a Gloria di San Lorenzo for Empoli Cathedral. He traveled to Rome and spent two years in Spain (1587-1589).
Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
Costanzo da Ferrara
the period of 1465-1535






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